after a couple of well-received contributions to new breed of deep house and finest ny house 2011, house producer washerman releases a 4-track ep thats just chock full of all that great 4/4. reminiscent of works by the great kerri chandler, whos one of his major influences, the synth jabs, booming baselines and funky kick drum of tunes like the eps namesake, >be what you wanna be,< >feeling good,< and >do it< are sure to win the hearts and souls of househeads abound. lets not forget >moody life<, also offered on this ep, for those who like it a little mellower & deeper

highly limited mysterious acid madness served up on a one sided platter. no idea whos behind this but it absolutely rocks. very very very limited vinyl…. once its gone its gone!

mooryc simply was the opening track of fenou bouquet vol.2 mix compilation last autumn. the pole whos now living in berlin impresses here especially with the brilliant vocal part. his track is lovingly arranged and embedded in a harmonious sound collage and the underlaid beats try to permeate everyone with their massive drums. stop thinking, let go.. the perfect slowing

bpv003 - trouble ep is represented by german artist with ukrainian roots - kashawar. great job done on a side in collaboration with cristi cons, whos remix is about serious mood, groove and mysterious atmosphere.
b side is diverse, bringing some deep, dub feelings, together with minimalistic sound on the other hand.

par grindviks sinister label raises its dark and mysterious head for the second release, >sinister 02<. joining par on the release are a collection of artists whos individual styles have earned them well-respected plaudits across electronic music. they share common ground, but keep to their own unique form in this release. pars sinister imprint continues where it left off, pulling in four sombre, yet powerful tracks - something for every stage of the club.

heavyweight producer mri met we:two and this ep reveals the first piece from their # 001 series. a side track sams detonator lives up to its name a 100 percent. be careful, because this track will make the dancefloors detonate. with each subsequent play, you notice more and more melodies, beats, instruments.. fresh and modern techno at its richest. killer percussions come midway and build up the sound explosion. you are left with a sense of sweet anxiety and an adrenaline rush. matador on the flip is a killer, peak-time track and its bassline will be sure to induce some serious convulsions on dance-floor as well as the a1 did. last but not least theres track 3 – jack & lumber whos driven by an unstoppable beat. all in all a release on resopal to play and play and play, ah, yeah ... and play

the third release on the vinyl-label playmusic-productions is presented by the berlin-based rene reinert under his artist name amor fati, whos also the label owner of black is black recordings. on his very unique work for playmusic-productions called träumer & tänzer, which is german for d...

model 500s influence on music arguably looms larger today then ever before, with a fresh wave of fascination coming from a new generation of electronic musicians and fans alike, whos lust for the innovative, original sounds of the first wave of detroit techno knows no bounds. ofi has already received the remix treatment from two big guns of the r&s stable, space dimension controller and bullion, who both applied their unique touches to the original in the 2010 remix release, and now it is the turn of apollo - with five new mixes coming from sei a, shadowchild, synkro, indigo and colonel red respectively.

ound kemysty a new outlet for the housier side of sound black debuts with a bang. ikenga projects snow ep chilling vocals from both carolyn harding and lady blacktronika under her alias akuarising. ikenga project seeks to put a thaw to winter ice with hot tracks from beginning to end that are deeper then the rabbits hole, including a remix from none other then harley & muscle. ikenga project is the brain child of lady blacktronika & chris mitchell whos seem to have perfect synergy in the studio. this release is sure to be the first of many more stellar projects to come

this time the guys at chilli mint music brings you a unique slice of a darker jazzier side of deep house on their 180 limited vinyl release series. the infectious cool sounds of sammy w & alex e,two award winning producers/djs from romania whos deep house sound is sure to stick in your head,very unique sound and unique vibe. future artists to watch out for

like legendary stories of old, changing and mutating as the years go by. and also subtly transforming depending on whos telling the tale. re-mixers guillaume and the coutu dumonts, john tejada and danuel tate step up to re-tell blue fields infamous ghost story.

michael ozone, the character whos just dropped his debut offering for the esp institute this july, is back with a remixed version of his jungle-tuff >perfect systems ep<. on side a, steve summers (a name thats been up in your face over the last year, and one of the key figures in our cousins l.i.e.s. camp) has taken perfect systems for an imperfect ride, jacking it up as expected while keeping the somewhat sinister mood of the original. on the flip, young marco (who has become quite a resident at the esp institute) strips down hetrotopia to its core, letting you realize how a well-programmed track can maintain its melodic and hypnotic sense, even when all thats left is percussion.

as re-mixers, they have already made two fine contributions to schallbox-releases, now they finally get their own track on the swiss label. 12 most definetly belongs to the smalltown collective!
the name of the track is tiefblau and it speaks for itself: you are transported by a pushing, bass-generated pressure capsule down along a hypnotic groove line and into a deep blue ocean. the smalltown collective really exploit the merits of the acoustic stage here, pulling together a compelling and diverse set of notes and tones carefully arranged to amount to a track you just cant shake.
in his interpretation, dj le roi stays true and to the deepest blue dive atmosphere of tiefblau, yet manages to make it completely his own. unmistakably tieflblau, unmistakably le roi.
the page logo belongs to berlin-based producer david keno, whos signature lies in lacing floor-oriented beats with a distinct melodic aspect. with his unique and secret recipe, keno tweaks/ treats this track as he does with so many stomping house tracks with a laid-back vibe. guaranteed to work on any dance floor in the world!

switch and erol alkan come together on what is possibly phantasys heaviest release to date. saturated acid lines, scratches, vocal snippets and the biggest kick drum this side the planet 808 dominate a track originally conceived back in 2009. brilliant remixes come from night slugs co-founder bok bok, and new yorks willie burns whos recent release on l.i.e.s has been staple in erol alkans sets for musch of 2012. released on limited edition acid splash vinyl. artwork by greek artist dimitris rokos, label and postcard design by north internet

french dj and producer, sebastien san, whos been releasing house records under one name or another for about a decade, has taken the next big step forward in his lauded career and started his own label. after releasing material through a venerable whos who of labels like planet e, poker flat, rush hour, we play house, and echocord, it only makes sense that sebastien take matters into his own hands and helm an operation independently. the imprint, cheekily called ab initio, will predominantly function as a vehicle for the man to put out his own records.

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

next up in the delsin house series is a man whos been perfecting it for years – düsseldorfs andy vaz. the boss of yore and background records, vaz has released two full lengths and many eps to date, always exploring a heartfelt brand of electronica that draws on house, techno, detroit and chicago in equal measure.

moka only is one of canadas most celebrated hip-hop exports, a former member of canadian rap royalty swollen members who has released dozens of solo projects since he broke through in the mid-90s. ayatollah is one of the most respected producers in the american underground hip-hop scene, having crafted classics like mos defs >ms. fat booty< and talib kwelis >the proud<, plus tracks for styles p, pharoahe monch, masta ace, cormega, inspectah deck, and many more. now, these two talents have come together for a full-length collaboration straight out of hip-hop dreamland. all rhymes by moka only (as his alter-ego ron contour) and all beats by ayatollah.
double 12 inch release, including 2 vinyl only tracks.

hypnotic stripped sci-fi techno tracks proving there is unknown life to be seen through the looking glass. sci-fi techno tracks that tell a story. the ?through the looking glass? inspiration for the artist is the concept of the examination of the relationship between the observer and the tools used for the observation. the result is probably some of the sickest techno tracks we ve heard in a while! going somewhere between sahko and good old minimal detroit techno from mills and hood.

spotlight ft. lucy randell - the anthem for the summer. this track is bound to be a soundtrack to many a festival this year. catos grimy rock style track compliments lucys powerful vocal. a definite singalong.
whos cato (spotlight instrumental) - the original instrumental, featured heavily at outlook festival 2011.
frenzy - shows catos 4×4 electro influenced smasher, bound to smash any dancefloor.

nice price deal !!! jeahmon already teamed up as dj act in 2006. according to their past releases on ostwind, pimprinella and natura viva we are proud to present the first single on their own imprint jeahmon! here you will find only the finest selection in deeper tech and house beats! as we love 12 vinyl, we strictly keep on pressing the beautiful black stuff with an additional super tasty & hand made full cover. special thanks to niklas worgt alias dapayk who put his fingers on the title track, catching the vibe for a more clubby outfit! so guys, whos gonna be a ningelprinz???

nice price deal !!! the latest offering from jacques renault and marcos cabrals on the prowl features the work of evan stalker, a los angeleno whos a visual artist by day and a production wiz by night. the four songs included on this 12inch are meticulously-layered, lusciously-arranged deep house jams of the highest quality.

hailing from georgia gacha is a young artist whos star is rapidly on the rise, a producer capable of pulling together various strands of electronic music heritage and stitching them artfully together to make a bewitching sound all of his own. this debut release proves to be a perfect match to the slowed down, spaced out ethos at the core of the sound with which apollo records, the offshoot of r&s records set up and run by renaat vandepapeliere, are synonymous.

the album third encounter showcases the 20 past years of klas lindblad as a musician, dj and sound engineer, one whos seen most of the modern musical styles evolve and dissolve. always relying on the basic principles of electronic dance music that less is more, lindblad brings another fine full-lengt artist album out, surely to be considered his finest work til today.

flight facilities are first up with their personal extended mix, germanys david august, the 20 year wiz kid whos just be inducted into cult hamburg label diynamic, enters with a pitch shifted druggy flip on the original. danny daze is the man behind the huuuge hot creation anthem -your everything- and has gone crazy with his glitched out aphex twin-esk 5am mix while uk duo mam (matt hughes and miguel campbell) bring it back with a chunky bass and rhodes summer anthem.

ander-traxx is a fresh label operating out of glasgow with the intent of releasing righteous underground house, and although mainly a platform for the labels founder alex-ander to showcase his own productions, ander-traxxs remit also includes the presentation of unknown talent for future releases. for this first release, alex steps up to the plate to deliver because of me, followed by 3 remixes from artists born and raised in glasgow. the original kicks things off with its intro of glacial pads and jittery hats, before quickly delving into a seriousely deep groove brimming with melodic layers. although because of me gives a strong nod to the recent developements of producers like omar s and kyle hall, it undoubtedly has the hallmarks of an alex-ander production, his unique arrangements coming to the forefront while still complimenting the crisp percussion that drives the track forward. carlos nilmmns (co founder of the formidable solab production unit) mix is a much more off-kilter and submerged affair. nilmmns plays down the epic quality of the original and adds chugging rhythmics and sweetcured piano work for a lesson in divine repetition. mesumas feedback mix goes in for the dancefloor attack, not surprising for a gentleman whos previous work has seen releases on hardgroove and seventh sign. rolling toms and a booming kick meet aquatic vocal samples and spectral harmonicas, and will still please those partial to deeper sounds. last up to give because of me the rework treatment is meschi (lunar disko, lux, snuff traxx), who mixes his chicago influenced analogue stylings perfectly with the source material. stripped down crescendos build up to a euphoric drop, and meschis elated melodies bring another twist to this excercise in deep funk. because of me is one of those rare e.ps that works just as well in a non-club enviroment as it does on the dancefloor. with this warning shot, alex-ander will surely be capturing the ears of many in 2012 and beyond.

uncanny valley continues to introduce more artists from the valley with their own solo ep.with uv008 its credit 00 whos put on the map. the dresden resident delivers four ice cold chicago inspired cuts, with hints of acid and electro,straight out of his machines which will make every synth aficionados mouth water.another me is, by credits standards,an almost intimate jam, which shows that house can be a decent funky affair.in the cave problem youll get an extensive bassline before synths that seem to come directly out of a hurdy-gurdy from hell add the right dose of gloom.the b-side is started off with the living room, a hard rocking track that comes like an acoustic exploration of sophisticated sound and drum ideas. the final brios theme is a weird and slightly menacing sci-fi work that only needs a proper movie.and again a new cover artist, credits longtime buddy geprg hpfmann.

diynamic virtuoso stimming returns with a classic three-tracker, showcasing his skill and everlasting talent to surprise. again and again he reveals that his name stands for quality and permanent transubstantiation. the opener, windowshopping, is a catchy, floating and harmonic groover introducing the springtime, slightly transporting its warm breeze directly onto your skin. epic moog-stabs,string-hits, shuffled shakers and electric vocals are telling the story about of a stranger whos walking around a city-center during nighttime. on b1 stimming comes along with an old and firm friend. south african lazarusman, wellknown from stimmings funk with me or chang , again demonstrates his unique talent to deal with words, explaining that its not stimming but every listener himself which makes the song come alive. november morning is the slowest track stimming ever released so far. its name is program. weird violin-sounds, organic percussions and everlasting groove create a grey and moody vibe absorbing the listener.

limited re press of omar-s >high school graffiti< ep. raw and analog stuff. features a collaboration with theo parrish

in recent years, there has been a lot of exciting stuff happening in the russian house scene. established names, but also, a string of new talent have been making waves upon waves with some of the deepest tunes around. one of the prime examples of this are the productions of the progressive and talented producer kirill tipo. a saint petersburg native whos set to make his vinyl debut on our third release with a 3 track ace compilation entitled >believe in rhythm<

cmm va001 is the first out of a two part various artists ep release from this new & passionate uk based label whos aim is to introduce and showcase some of the first signings they made. the labels aim is to be a home for new and established producers/artists who can showcase their talents & be free to express their musical output without being labeled or pigeonholed to one style or vibe. simply put, music is the key not the genre.

cadillac is an australian luxury vehicle marque signed to future classic.if you like guitar solos, slow mo piano jams and the sounds of baleric,disco,pop and rock then we might have just the vehicle for you. on first inspection of their self titled ep youll find their guitar and synth beast dreams featuring guest vocals of wolf & cubs joel byrne, the stadium jammer past midnight, sexy porno interludes, blue skies and make you feel - two great tunes for dancing to and the glorious piano outro high for me. the remixes on this summer champion include dfa and eskimo regular ray mang, prince rama - recently picked by pitchfork and sup magazine as rising stars,marcos cabral of runaway and on the prowl fame (busting out some organ house),germanys daniel bortz whos remixed some of our favourite usher and 112 tracks, miracles club who have been loved by cut copy, with releases on cut copys very own cutters label and american label mexican summer then rounding it all off is luxembourg residents the sun glitters who were just picked as band of the day by the guardian. this bad boy is available on digital but most importantly available on vinyl as a double 12 inch - a future classic first! come and embark on cadillacs journey of an endless summer.

the man whos seen it all, thats terranovas fetisch, but he had it coming. as punks earliest and certainly youngest adopter, he strolled through late 1970s berlin, then moved to new york researching the first symptoms of hip hop, only to find himself being a many clubs resident dj in london at the end of the eighties. enters terranova, shrouded in mystery from the very beginning, fetisch‘s go-to project, that he originally conceived in 1996 to explore new club territory, and that has since built its very own cult following. kompakt truly feels honored to be the new home to an artist with such a rich background in club culture, especially as terranovas latest incarnation includes berlins house staple and boywonder &me as well as guest singer khan in his preferred role as the longest running hype in the history of underground awesomeness. consequently, it is with great poise that the trio‘s latest 12inch >so strong< commands its army of listeners to the floor, not unlike terranovas first outing on kompakt, the confidently named i want to go out. both the title track and epic flipside boogie for the dollar make up for a double headliner that takes you on a beguiling trip to the dark side of the club. no only do terranovas sequencing and beat programming deliver in spades, the package also sports some of the best vocals khan has churned out to date, featuring his trademark fusion of cool indifference and pure sleaze: >i give myself up to your splendor... so strong.<

they came from the deepest woods of the former udssr!ostblockschlampen, >the bitches from the eastern block< is markus lange and his cohort vanilla, two electro terrorists that have been rocking the boat and kicking in doors across  the nation.>bitches from ostblock< features a whos who of upstart producers including modek, stereofunk..bass bass bass...but you say who??? wir sind die bitches!

off we go and leave the cannibals all empty. the skies are lowering into the sea. gently pushed by stones we wonder/wander on. somewhere behind a rainbow, apartment houses quietly suspire their berlin. the cheeky spirit is pinching the nose with zest. watch them trip and do the mashed morale. we dance with them, but not for long. spirits are holding the upper hand again. still we miss a beat with a heart still strong. noisy colors all blending in one blue. i sit with you where the citys down low. we know no wrong in the sound of a song. down tumble waters rise behind our backs. the pointy poets heads hat breaks in two unlike the jesters scepter whos mad with magics saving factor. we wander on, stroll to and fro things weigh us out, no con, no pro, unlike the jesters saving factor we stick around too long a-go. down tumble waters rise behind our backs. the meek musicians heads hat breaks in two unlike the jesters scepter whose magics not an urban factor. strike up the band, play on and on for sweet sage music always wins just like the jesters magic scepter beats up and down, forgives all sins. this is when you come stepping in. a row of tender houses smash your knees. the skies are lowering some more. existences twitching here and there. rain reflects berlins icy glow: a frisking spirit on the tip of your nose. we dance with him for quite some time. no stopping a hand that holds up in a work. no missing a beat for a heart goes on. flamboyant whispers strike a chord back home. you come to me, im not alone, in the sound of a song we know no wrong

heralding the birth of the first leleka is a limited edition, hand stamped, two-tone vinyl release from the labels owner vakula from konotop, whos name is widespread due to the success of releases on firecracker, and recently shevchenko (white labels with prints of ukrainian literary celebrities such as gogol, lesya ukrainka & shevchenko himself). these are an ideally captured ukrainian landscape of change, struggle, nature and art slightly embellished by industrial design of the 50s. and this is what the leleka label is all about, its musical concept reflects vakulas love of folk and live music, where passions and melodies play leading roles. this debut release contains six vintage tracks from vakula, almost serving as a prologue to his recent epic output. the meeting of imported soul, exploitation movies and detroit techno, with ukrainian folk melodies and soviet electronics, offers a glimpse into vakulas way of working, and gives us a taste of things to come

oh boy.... mw are really spoiling us with the crazy electronics, following on from the recent philippe laurent release, this time its a japanese pioneer whos music has been lovingly restored, and just in time, by all accounts (read below). another classic on minimal wave, delivered on transparent vinyl.

glass tear groove is the new concept release from drum machine rookie, inkswel. a follow up to the random yet bubbling >get to my party< release, this ep cohesively mashes together drum machine sounds and new wave funk tendencies. the title track featuring vocal funkster zackey force funk (baron zen/jellphonic/mike gao) brings forth a timeless love song vibe into inkswels popping and locking approach to song composition. >good times< is inkswels ode to post disco and pre house sounds, fuzzy yamaha synth stabs and watery chords. backed with the bonus beat vibe of >whos fooling who<, a stand alone banger for beat heads and party animals. also packaged with stellar remix work from ppu/superior elevation s tom noble aka disco tom.

guess whos back with a second release ? we are delighted to have alain ho ( ovum / composite / we play house / freerange / buzzin fly ) on board for this ep … alain gave us a true piece of deep house with his track called into a deep & he also teamed up with dogmatiks head honcho , london-based alex arnout to give us another brillant track entitled your love … we are also proud & honoured to have hot toddy from crazy p ( 2020vision ) , john daly ( drumpoet community ) on remix duties .

second release in a series of four of this ann aimee compilation series, featuring a diverse selection of techno tracks. part two of the four-part inertia sampler again serves up four heavy-hitting techno bangers from different artists of the new-school techno generation. again, each of the tracks is previously unreleased. first up is frenchman marcelus who offers a heavy house and techno fusion, before londons sigha goes deep and ominous with >finding myself.< redshape and area forty_one close out the package with frozen, static coated sounds and textured techno respectively. reading like a whos who of the days most pioneering techno producers, inertia #2 is another connoisseur selection.

new release from label head honcho jakes featuring the one and only beezy whos nutty vocal style is adding a psychopathic new angle to alot of dubstep tracks right now. this is signature jakes to the core, coki-esque wobbles, psychedelic melodies and rip-rawing bass, been a wee while since we have been graced with new jakes material so dont sleep on these 12 inch badbwoys!

1 track each from area, hakim murphy, and murdoc, + bonus remix. the 2 on a lean more toward the stoner side, the b is all murdoc focusing more on the beats. the past year has seen area dropping solo records for francois ks wave music, anton zaps ethereal sound, and brendon moellers steadfast recordings. with songs described as >guaranteed to create a special mood in a club< (resident advisor) and >warm, shoegaze-dreamy but floor-ready pop< (little white earbuds), areas heady productions tread the line between functionality and abstraction. hakim is a producer/dj from the chicagoland area whos musical style ranges from house to techno. hakims journey begin as a dancer in chicago as a lot of his musical influences come from larry heard, robert armani, dance mania, relief, and cajual records. as a chicago footwork dancer, hakim gradually became inspired by the music and began playing records in 1996. since then hakim has ventured into production work and eventually founded two records labels in 2008: machining dreams, and synapsis records with avondale music society. hakims discography includes releases on metamorphic, planet detroit, and stolen kisses. murdoc is a dj/producer and current member of the condiment dj-collective, hosting events featuring the likes of acid circus, sammy dee (perlon), and mark henning.

sherard ingram returns to trust with his first release of 2011: misinformation campaign. this is his third ep for the label after bio electronic and social engineering. on this record sherard ingram contrasts his lightning-fast electro-inspired rhythms with lush synth melodies and glistening arpeggios. on occasion more menacing and dystopian moods gain the upper hand, such as on the b-sides >whos watching the watchers< and >defect<. this record is impossible to pigeonhole, refining a style that is unmistakably stingrays own and which has over the past years earned him the respect of the electro, techno, dubstep, electronica, and minimal dnb camps alike.

croatians finest purveyor of disco and boogie returns with a delish four track ep on yam whos ism imprint. the four tracks have all the delicious trappings of rudman, dramatic strings, ample helpings of cowbell and vintage synth stabs. the a-side consists of the sleazy squelch of “crazy with you” in both original and remixed by yam who form, with the latter, more uptempo version just shading it. the flipside consists of the sultry boogie bap of “let this dream be real , with the original bringing to mind a glacially paced version of rockers revenge classic “walking on sunshine , while the disco dirtbox tweak bumps and grinds in all the right places - totally primed for club play!

for our 33rd release we welcome back darius syrossian whos last area remote >stay up dancing, get in monday< scorched the international club systems back in march.
seeking for peace was triggered after darius got home from a great gig and while chilling at home saw the news on tv. horrific footage of the onslaught in the middle east and the suffering of the innocent families caught up in the bombing made him realise that when he had been living it up, others were living in fear.
bass not bombs is the inspiration for the other 3 remixes. the proceeds from his two tracks will be given to the international red crescent.

limited white label of bootleg remixes from jacques greene whos fresh off remixing radiohead at the personal request of thom yorke. blink and youll miss it

kowtons eps are the best possible fit for the devils workshop – they are not only deep, dark and warm, but also seductive and, at a pinch, sexy – just like the dark prince, or so i ve been told. perhaps i ve come under satans sway, but for me, both eps released so far on idle hands sound like someone whos been at it for much, much longer: this is a music knowledge which is anything but basic.

future classics newest addition is four-piece scenic from perth, australia - home of tame impala, canyons and a wealth of young musical talent. scenic create enchanting dance music rooted in pop. theirs is an abstract journey of drifting, floating, dreaming, falling in love. they were quickly spotted by the godfather of french electro joakim who released their first single this cant be on his tigersushi label out of paris. scenics first ep for future classic features two blissed out songs another sky and endless days and a floor-friendly remix by the magician, whos remix for lykke li and peter and the magician ep with yuksek made us smile.

limited edition high quality re-release on blue vinyl of this classic 1983 album by the art of noise.